Art Papers

Follow the news of art and our artists through our Art Papers. Cultural discoveries, unique events, exhibitions, market analyzes: different prisms to approach art in all its forms!

Carte blanche to Yann L'Outsider, an exhibition in 3 Tempos presented by HatchikianGallery x Quai 36

Carte blanche to Yann L'Outsider is the inaugural exhibition of a long-term collaboration between Hatchikian Gallery and the Quai 36 art production house. Yann L'Outsider was the link between these two partners. artistic research: Hatchikian Gallery for studio works and Quai 36 for the realization of monumental projects in public space. We had the opportunity to tell the beautiful story of these encounters in our previous Art Paper.

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Remed, a graphic mythology

It is a very singular visual language that Remed deploys through a resolutely solar and warm work: a way of celebrating life, love, and of transcribing in art what transcends and connects us. A universal artistic language that brings together aesthetic emotion, the laws of science, mathesis and the symbolic dimension, for a cosmogony where shapes, lines and colors weave these founding myths and parables of civilizations that bring specificities to life. of the human condition.

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The artistic inspirations of Kornel Zezula

“I paint the light that comes from all bodies”, a statement by Egon Schiele which is one of the artistic inspirations with which Kornel Zezula nourishes his work. The portraits of this talented young artist born in Wroclaw in 1991 and graduated from the Beaux-Arts in Paris radiate a sensuality that illuminates in a singular and intimate way the faces and bodies that open to the mystery of the other. Insatiable of an artistic culture which carries him as much towards literature, cinema, painting, sculpture, Kornel Zezula is imbued with the richness of the nuances of being. If painting is his language, it is because words will always fail to approach the elusive singularity of the depth of being. This other which irremediably escapes us, the artist suggests, between veil and unveiling, through an aesthetic which gives a glimpse of a part of this unfathomable and fleeting interiority. A play of transparencies which reveals all the density of the emotions which are flush with the skin of a face and the contours of a silhouette.

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