Art Papers

Follow the news about art and our artists through our Art Papers. Cultural discoveries, unique events, exhibitions, market analyses: different perspectives to approach art in all its forms!

Carte blanche to Yann L’Outsider, an exhibition in 3 Tempos presented by HatchikianGallery x Quai 36

Carte blanche to Yann L’Outsider is the inaugural exhibition of a long-term collaboration between Hatchikian Gallery and the Quai 36 Art Production House. Yann L’Outsider has been the link between these two partners, accompanying his artistic research: Hatchikian Gallery for the works in the studio and Quai 36 for the realization of monumental projects in public space. We had the opportunity to tell the beautiful story of these encounters in our previous Art Paper.

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Remed, a graphic mythology

Remed employs a very unique visual language through a work that is resolutely sunny and warm: a way of celebrating life and love, and of transcribing into art what transcends us and connects us. A universal artistic language that brings together aesthetic emotion, the laws of science, mathematics, and the symbolic dimension, for a cosmogony in which forms, lines, and colors weave these myths and parables that are the founding myths of civilizations that narrate the specificities of the human condition.

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The artistic inspirations of Kornel Zezula

«I paint the light that comes from all bodies,» a statement by Egon Schiele that is among the artistic inspirations that Kornel Zezula nourishes in his work. The portraits of this talented young artist born in 1991 in Wroclaw and graduated in fine arts from the Sorbonne University in Paris indeed radiate a sensuality that uniquely and intimately illuminates the faces and bodies that open up to the mystery of the other. Insatiable for an artistic culture that leads him to literature, cinema, painting and sculpture, Kornel Zezula is imbued with the richness of the nuances of being. Although painting is his language, it is because words will always fail to approach the elusive singularity of the depth of being. The other who is irremediably beyond our grasp, the artist suggests, between veil and unveiling, through an aesthetics that gives a glimpse of a part of that unfathomable and fleeting interiority. A play of transparencies that reveals the full density of the emotions that emerge on the skin of a face and the contours of a silhouette.

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