{"version":"1.0","provider_name":"Hatchikian Gallery &amp; Production","provider_url":"https:\/\/hatchikiangallery.com\/en","title":"Toxic, l\u2019irr\u00e9v\u00e9rence de la couleur - Hatchikian Gallery &amp; Production","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Pvfa7sRC3z\"><a href=\"https:\/\/hatchikiangallery.com\/en\/toxic-lirreverence-de-la-couleur\/\">Toxic, the irreverence of color<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/hatchikiangallery.com\/en\/toxic-lirreverence-de-la-couleur\/embed\/#?secret=Pvfa7sRC3z\" width=\"600\" height=\"338\" title=\"&#8220;Toxic, l\u2019irr\u00e9v\u00e9rence de la couleur&#8221; &#8212; Hatchikian Gallery &amp; Production\" data-secret=\"Pvfa7sRC3z\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>","thumbnail_url":"https:\/\/hatchikiangallery.com\/wp-content\/uploads\/2021\/09\/hatchikian-gallery-art-paper-toxic-lirreverence-de-la-couleur.jpg","thumbnail_width":2000,"thumbnail_height":1414,"description":"Pour voir \u00e0 quoi ressemblait Toxic \u00e0 18 ans, le mieux est d\u2019aller d\u00e9ambuler dans les collections du Whitney Museum \u00e0 New York. Parmi les \u0153uvres de Basquiat, la toile intitul\u00e9e Hollywood Africans repr\u00e9sente, dans ce langage visuel si singulier, un trio d\u2019artistes form\u00e9s par Basquiat lui-m\u00eame, Rammellzee et Toxic, trois \u00ab gangsters \u00bb st\u00e9r\u00e9otyp\u00e9s dans le mythe hollywoodien, trois new-yorkais afro-am\u00e9ricains cherchant \u00e0 inscrire leur nom dans un univers encore inaccessible et peu reconnaissants du talent issu des marges, des banlieues et des minorit\u00e9s. Une s\u00e9rie de mots fait r\u00e9f\u00e9rence au r\u00f4le peu brillant r\u00e9serv\u00e9 aux noirs dans les films de l\u2019\u00e2ge d\u2019or du cin\u00e9ma. Des mots slash\u00e9s, ray\u00e9s, qui en disent long sur la s\u00e9gr\u00e9gation qui fracture la soci\u00e9t\u00e9 d\u2019alors."}