{"id":11967,"date":"2021-11-25T20:09:21","date_gmt":"2021-11-25T19:09:21","guid":{"rendered":"https:\/\/hatchikiangallery.com\/?page_id=11967"},"modified":"2021-11-25T20:12:53","modified_gmt":"2021-11-25T19:12:53","slug":"peter-halley","status":"publish","type":"page","link":"https:\/\/hatchikiangallery.com\/en\/peter-halley\/","title":{"rendered":"Peter Halley"},"content":{"rendered":"
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Peter Halley<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00abWhat was really important to me was understanding the networks of space that surround us, whether it\u2019s the physical space of streets and highways, or the communication space of telephones, television, and ultimately the internet. It was so interesting to have the opportunity to experience the early days of the digital era in the 1980s.\u00bb<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peter Halley, born in 1953 in New York, is one of the indispensable figures of contemporary geometric abstraction and, more specifically, of the neo-geo movement. He first established himself on the New York art scene, with his work often inspired by the architecture and urbanism of Manhattan, from which he explores the effects on the modalities of social connection. In his early years, in the 1980s, he was part of the group of artists \u2013 among whom we find Jeff Koons \u2013 who founded the gallery International With Monument. At the time, their common trait was to question, through minimalist artistic creations, post-consumerist postmodernity. Peter Halley is interested in communication networks, whether they be the urban quadrilages that determine our interactions or the digital circuits that digitize and virtualize our existences. The artist is struck by the alienation produced by these webs of connections that isolate individuals, and his work presents itself as a metaphor for the dehumanizing effects of these formal devices.<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peter Halley\u2019s work is marked by the recurring motif of what he calls \u00abcells\u00bb and \u00abprisons,\u00bb matrix elements of a singular visual language that explores the patterns of spatial geometry. The replication of these abstract figures gives rise to a formal play of contrasting bright and fluorescent colors, realized in industrial paint and synthetic plaster. In his more recent research, particularly the Constructor Paintings, or on occasion in in situ installations, he breaks free from the plane surface to introduce volume effects that further exacerbate this architecture and the structuring of space that subjugates us and reduces us to a purely functional being-in-the-world. Peter Halley\u2019s iconography contributes to a structuralist reflection on social organization, in the vein of philosophers such as Jean Baudrillard and Michel Foucault, who greatly influenced his artistic path, which can be understood as an aesthetic and graphic theorization of the determinisms that imprison us. He himself has published works of reflection on the paradoxical effects of modernity on our individual freedoms. The strong visual impact of Peter Halley\u2019s works never leaves the viewer indifferent and sounds like a warning against the illusion of the functionality of a colorful universe. How can one incorporate one\u2019s subjectivity and experience one\u2019s freedom in a world governed by mechanisms?<\/span><\/p>

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Black No. 13, 1992<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\tExplore the Shop<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n \t \t \t \t \t \n\t <\/div>\n\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Peter Halley (1953)\u00ab\u00a0Ce qui \u00e9tait vraiment important pour moi \u00e9tait de comprendre les r\u00e9seaux de l\u2019espace qui nous entourent, que ce soit l\u2019espace physique des rues et des autoroutes, ou l\u2019espace de communication des t\u00e9l\u00e9phones, de la t\u00e9l\u00e9vision et, en fin de compte, de l\u2019internet. C\u2019\u00e9tait tellement int\u00e9ressant d\u2019avoir l\u2019occasion de vivre les d\u00e9buts de […]<\/p>\n","protected":false},"author":3,"featured_media":11957,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_joinchat":[]},"yoast_head":"\nPeter Halley - Hatchikian Gallery & Production<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez la biographie et les \u0153uvres de Peter Halley, l\u2019une des figures incontournables de l\u2019abstraction g\u00e9om\u00e9trique contemporaine.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hatchikiangallery.com\/en\/peter-halley\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peter Halley - 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