{"id":11967,"date":"2021-11-25T20:09:21","date_gmt":"2021-11-25T19:09:21","guid":{"rendered":"https:\/\/hatchikiangallery.com\/?page_id=11967"},"modified":"2021-11-25T20:12:53","modified_gmt":"2021-11-25T19:12:53","slug":"peter-halley","status":"publish","type":"page","link":"https:\/\/hatchikiangallery.com\/en\/peter-halley\/","title":{"rendered":"Peter Halley"},"content":{"rendered":"
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Peter Halley<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab\u00a0Ce qui \u00e9tait vraiment important pour moi \u00e9tait de comprendre les r\u00e9seaux de l\u2019espace qui nous entourent, que ce soit l\u2019espace physique des rues et des autoroutes, ou l\u2019espace de communication des t\u00e9l\u00e9phones, de la t\u00e9l\u00e9vision et, en fin de compte, de l\u2019internet. C\u2019\u00e9tait tellement int\u00e9ressant d\u2019avoir l\u2019occasion de vivre les d\u00e9buts de l\u2019\u00e8re num\u00e9rique dans les ann\u00e9es 1980.\u00a0\u00bb<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Peter Halley, n\u00e9 en 1953 \u00e0 New-York, est l\u2019une des figures incontournables de l\u2019abstraction g\u00e9om\u00e9trique contemporaine et plus particuli\u00e8rement du mouvement n\u00e9o-g\u00e9o. Il s\u2019est d\u2019abord impos\u00e9 sur la sc\u00e8ne artistique new-yorkaise, son \u0153uvre \u00e9tant souvent inspir\u00e9e par l\u2019architecture et l\u2019urbanisme de Manhattan, dont il interroge les effets sur les modalit\u00e9s du lien social. A ses d\u00e9buts, dans les ann\u00e9es 1980, il fait partie du groupe d\u2019artistes -parmi lesquels on retrouve Jeff Koons – fondateurs de la galerie\u00a0International With Monument. A l\u2019\u00e9poque, leur trait commun est d\u2019interroger, \u00e0 travers des cr\u00e9ations artistiques minimalistes, la post-modernit\u00e9 consum\u00e9riste. Peter Halley s\u2019int\u00e9resse aux r\u00e9seaux de communication, qu\u2019il s\u2019agisse des quadrillages urbains qui d\u00e9terminent nos interactions ou des circuits num\u00e9riques qui digitalisent et virtualisent nos existences. L’artiste est frapp\u00e9 par l\u2019ali\u00e9nation produite par ces m\u00e9andres de connexions qui isolent les individus et son \u0153uvre se pr\u00e9sente comme m\u00e9taphorique des effets d\u00e9shumanisants de ces dispositifs formels.<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le travail de Peter Halley est marqu\u00e9 par le motif r\u00e9current de ce qu\u2019il qualifie de \u00ab\u00a0cellules\u00a0\u00bb et de \u00ab\u00a0prisons\u00a0\u00bb, \u00e9l\u00e9ments matriciels d\u2019un langage visuel singulier explorant les sch\u00e9mas de la g\u00e9om\u00e9trisation spatiale. La r\u00e9plication de ces figures abstraites donne lieu \u00e0 un jeu formel en contrastes de couleurs \u00e9clatantes et fluorescentes, r\u00e9alis\u00e9 en peinture industrielle et cr\u00e9pi synth\u00e9tique. Dans ses recherches plus r\u00e9centes, notamment les\u00a0Constructor Paintings, ou \u00e0 l\u2019occasion d\u2019installations in situ, il s\u2019\u00e9mancipe de la surface plane pour introduire des effets de volume qui exacerbent plus encore cette architecture et cette structuration de l\u2019espace qui nous assujettissent et nous r\u00e9duisent \u00e0 un \u00eatre-au-monde purement fonctionnel. L\u2019iconographie de Peter Halley participe d\u2019une r\u00e9flexion structuraliste sur l\u2019organisation soci\u00e9tale, dans la lign\u00e9e de philosophes comme Jean Baudrillard ou Michel Foucault qui ont beaucoup influenc\u00e9 son cheminement artistique, lequel peut \u00eatre appr\u00e9hend\u00e9 comme une th\u00e9orisation esth\u00e9tique et graphique des d\u00e9terminismes qui nous enferment. Lui-m\u00eame a publi\u00e9 des ouvrages de r\u00e9flexions sur les effets paradoxaux de la modernit\u00e9 sur nos libert\u00e9s individuelles. L\u2019impact visuel fort des \u0153uvres de Peter Halley ne laisse jamais le spectateur indiff\u00e9rent et sonne comme une mise en garde face \u00e0 l\u2019illusion de fonctionnalit\u00e9 d\u2019un univers color\u00e9. Comment inscrire sa subjectivit\u00e9 et \u00e9prouver sa libert\u00e9 dans un monde r\u00e9gi par des m\u00e9canismes ?<\/span><\/p>

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Black No. 13, 1992<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\tExplore the Shop<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n \t \t \t \t \t \n\t <\/div>\n\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Peter Halley (1953)\u00ab\u00a0Ce qui \u00e9tait vraiment important pour moi \u00e9tait de comprendre les r\u00e9seaux de l\u2019espace qui nous entourent, que ce soit l\u2019espace physique des rues et des autoroutes, ou l\u2019espace de communication des t\u00e9l\u00e9phones, de la t\u00e9l\u00e9vision et, en fin de compte, de l\u2019internet. C\u2019\u00e9tait tellement int\u00e9ressant d\u2019avoir l\u2019occasion de vivre les d\u00e9buts de […]<\/p>\n","protected":false},"author":3,"featured_media":11957,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_joinchat":[]},"yoast_head":"\nPeter Halley - Hatchikian Gallery & Production<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez la biographie et les \u0153uvres de Peter Halley, l\u2019une des figures incontournables de l\u2019abstraction g\u00e9om\u00e9trique contemporaine.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hatchikiangallery.com\/en\/peter-halley\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peter Halley - 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