{"id":17474,"date":"2026-10-05T19:28:03","date_gmt":"2026-10-05T17:28:03","guid":{"rendered":"https:\/\/hatchikiangallery.com\/?page_id=17474"},"modified":"2026-10-06T11:34:33","modified_gmt":"2026-10-06T09:34:33","slug":"sobekcis","status":"publish","type":"page","link":"https:\/\/hatchikiangallery.com\/en\/sobekcis\/","title":{"rendered":"Sobekcis"},"content":{"rendered":"
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SOBEKCIS<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\u00a9 Marion Saupin<\/em>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ivan et Nikola Gaji\u0107
Fr\u00e8res jumeaux, n\u00e9s \u00e0 Belgrade, en Serbie, en 1991.<\/p>

\u00c0 travers leur pratique en studio, Ivan et Nikola ont d\u00e9velopp\u00e9 une approche unique en isolant et en r\u00e9interpr\u00e9tant des \u00e9l\u00e9ments commun\u00e9ment associ\u00e9s au graffiti \u2014 tels que les gestes, les formes de lettres et les textures \u2014 au sein de surfaces opaques. Leur objectif est de trouver de nouvelles repr\u00e9sentations visuelles de ces \u00e9l\u00e9ments, repoussant ainsi les fronti\u00e8res entre art urbain et art abstrait.<\/p>

Au-del\u00e0 de l\u2019influence du graffiti, une grande partie de leur inspiration puise dans leur environnement et dans l\u2019h\u00e9ritage culturel de la Yougoslavie. N\u00e9s la m\u00eame ann\u00e9e que la dissolution officielle de la Yougoslavie, en 1991, ils ressentent un lien profond avec les monuments abstraits et les expressions culturelles de cette \u00e9poque. Cela les pousse \u00e0 recr\u00e9er une \u00e9nergie et une intemporalit\u00e9 similaires, en rendant hommage \u00e0 leur h\u00e9ritage abstrait tout en introduisant ces concepts de mani\u00e8re innovante, mettant ainsi en lumi\u00e8re une dimension unique de leur culture.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Dans leur travail collaboratif sous le nom de Sobekcis, ils construisent des images \u00e0 partir de gestes et de formes subconscients, ensuite minutieusement agenc\u00e9s pour cr\u00e9er des contrastes au sein de champs de couleurs unies. La dynamique qui existe entre eux en tant que fr\u00e8res jumeaux est au c\u0153ur de leur processus : ils d\u00e9crivent leur travail comme un \u00e9tat de dualit\u00e9, dans lequel un \u00e9l\u00e9ment de leur \u0153uvre est naturellement \u00e9quilibr\u00e9 par son pendant, \u00e0 l\u2019image des principes du Yin et du Yang. Cette dualit\u00e9 cr\u00e9e une puissante synergie, o\u00f9 chaque perspective contribue \u00e0 une vision coh\u00e9rente qui d\u00e9passe leurs contributions individuelles.<\/p>

Leur processus cr\u00e9atif est nourri par les frictions et les divergences d\u2019opinions qui \u00e9mergent au cours de leur travail, qu\u2019ils consid\u00e8rent comme un \u00e9l\u00e9ment essentiel pour parvenir au meilleur r\u00e9sultat possible. Cet \u00e9quilibre entre harmonie et contraste leur permet d\u2019affiner leurs visions individuelles et de fa\u00e7onner une identit\u00e9 artistique unique.<\/p>

\u00ab Dans l\u2019abondance de similitudes, il est n\u00e9cessaire de rechercher les diff\u00e9rences qui cr\u00e9ent le contraste. \u00bb<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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IN SITU<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Untitled, 2022<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t
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Untitled, 2023<\/a><\/h3>\n\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\tExplore the Shop<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n \t \t \t \t \t \n\t <\/div>\n\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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WORKS<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Untitled, 2026<\/a><\/h3>\n\t\t\t\t\t9.800,00\u20ac<\/span><\/bdi><\/span>\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t
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Untitled, 2020<\/a><\/h3>\n\t\t\t\t\t6.500,00\u20ac<\/span><\/bdi><\/span>\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t
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Untitled, 2024<\/a><\/h3>\n\t\t\t\t\t900,00\u20ac<\/span><\/bdi><\/span>\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t
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Untitled, 2025<\/a><\/h3>\n\t\t\t\t\t1.800,00\u20ac<\/span><\/bdi><\/span>\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t
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Untitled, 2026<\/a><\/h3>\n\t\t\t\t\t4.700,00\u20ac<\/span><\/bdi><\/span>\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\n\t\t\t
\n\t\t\t\t\t\t\t\t\t\tExplore the Shop<\/a>\n\t\t\t\t\t\t\t\t<\/div>\n \t \t \t \t \t \n\t <\/div>\n\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

SOBEKCIS (1991)\u00a9 Marion Saupin Ivan et Nikola Gaji\u0107Fr\u00e8res jumeaux, n\u00e9s \u00e0 Belgrade, en Serbie, en 1991. \u00c0 travers leur pratique en studio, Ivan et Nikola ont d\u00e9velopp\u00e9 une approche unique en isolant et en r\u00e9interpr\u00e9tant des \u00e9l\u00e9ments commun\u00e9ment associ\u00e9s au graffiti \u2014 tels que les gestes, les formes de lettres et les textures \u2014 au […]<\/p>\n","protected":false},"author":4,"featured_media":17475,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_joinchat":[]},"yoast_head":"\nSobekcis - Hatchikian Gallery & Production<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez la biographie et les \u0153uvres de Sobekcis\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hatchikiangallery.com\/en\/sobekcis\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobekcis - 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