{"id":11267,"date":"2021-09-15T16:49:56","date_gmt":"2021-09-15T14:49:56","guid":{"rendered":"https:\/\/hatchikiangallery.com\/?p=11267"},"modified":"2021-09-16T11:55:21","modified_gmt":"2021-09-16T09:55:21","slug":"yann-loutsider-la-dualite-comme-tension-creatrice","status":"publish","type":"post","link":"https:\/\/hatchikiangallery.com\/en\/yann-loutsider-la-dualite-comme-tension-creatrice\/","title":{"rendered":"Yann L\u2019Outsider: duality as a creative tension."},"content":{"rendered":"
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Yann Le Berre aka L\u2019outsider has long practiced urban art and it is now in Brittany that he has set up his studio, in former agricultural buildings transformed into a space for creation and artistic experimentation, offering the possibility of hanging the works, especially the large formats, to appreciate the scenography.<\/span><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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From urban art to the workshop<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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In his artistic research, Yann L\u2019outsider plays with the dualities that constitute his work. His orientation towards working in the studio, about ten years ago, inevitably transformed the conditions of creation, placing the artist in a different temporal context, turning him towards more standardized media, yet Yann L\u2019outsider never ceases to seek to recreate the state of stillness, urgency, imbalance, or discomfort that may have stimulated the creative momentum in urban environments. Inspiration without premeditation. In the studio, Yann L\u2019outsider often imposes time or material constraints, imposes limits, obstacles, or low lighting conditions, in order to find the conditions that generate the adrenaline of a practice on the fringes of legality. This is how the artist feels alive, present in his creative act. Yann L\u2019outsider intends to translate on canvas the sincerity and flamboyance that are the essence of spontaneity and creative freedom. A singular way of dealing with these two contexts, namely public space and the ritual of the studio, and of \u00abde-sacralizing\u00bb the canvas, at the cost of the persistent sense of imposture that is characteristic of artists. Yann L\u2019outsider employs an aesthetic that stands apart from dogma and that transcribes the gestural choreography of street art in a nonchalant and dazzling way.<\/span><\/div>
While the workshop allows for the channeling of prolific creativity, it should not become a comfort zone for reproducing series of works that are endlessly expanded. The artist experiments, welcomes the unconventional, sometimes thinks he is wrong, and still seeks out new paths. He never succumbs to aesthetic inertia. Like a language that renews itself and enriches itself through a practice that encompasses multiple situations, Yann Le Berre\u2019s work evolves, deeply imbued with his own vibration, from this constant quest that keeps the artist at a distance from the paralyzing certainties.\u00a0<\/span><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"hatchikian-gallery-l-outsider-typogram-#7-typogram-#6-2020-min\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Typogram #5<\/em> and Typogram #6<\/em>, 2020<\/p>

Aerosol and acrylic on canvas
65 x 50 cm
American white cash drawer enclosure
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An instinctive gesture <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Creating, where art begins, is a question that animates Yann L\u2019outsider through several dualities that mark his aesthetic emancipation. The duality between urban art and studio art and this stimulating concern with legitimacy, but also between craftsmanship of excellence and Art. In contrast to his practice as an artist, his training as a skilled artisan with meticulous, codified, repetitive gestures aimed at achieving perfection in execution. In artistic creation, allowing instinct and improvisation to run free, allowing the work to emerge, unpredictable, experiencing this dizzying emancipatory freedom, and never becoming stifled by a certain level of expertise, even if it is exceptional. Once again, Yann L\u2019outsider composes through this duality that creates a creative tension. It is the dynamic of movement that allows one to overcome an opposition that may only appear superficial. The kinetic aspect is what enables one to overcome a contradiction that may only appear apparent. His work is made of vibrations, graphic chiaroscuro, the emergence of lines and light.<\/span><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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A typographic and cosmic abstraction<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Another duality nourishes Yann\u2019s inspiration: the duality between the urban and the rural, the duality between abstraction and phenomenology. The artist, who says he is urban by accident and who now lives on the lands of Brittany, is imbued with a family culture woven from the destinies of humble lives spent working the land. This duality constitutes the singularity of L\u2019outsider, which draws inspiration from the observation of nature, the long cycles, and the strength of the elements, particularly palpable in Brittany. Transcribing on the canvas the confrontation between the material and immaterial dimensions, the infinitely small and the infinitely large, interpreting in the language of pictorial abstraction the clash of wind, the breath of the mists, the unrest of the waves, and the rhythm of the rain. Perhaps this is a way to perpetuate the family narrative with his own language, to prolong the learning process, to make the memory of the gesture that is passed on imperceptibly from generation to generation his own. This gestural expression, never consciously realized or theorized, is deployed by the artist in his own way in the creative act. From this foundation and this history, Yann Le Berre draws a humility and sincerity that are the grammar of his artistic expression. Honoring his debt of life to those who came before does not prevent him from asserting his uniqueness, forging his own path, opening up to other places, and the artist composes with this richness to explore all the nuances that foil oppositions.<\/span><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The wall, an essential support <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The studio work has not deterred Yann L\u2019outsider from working with urban spaces. Constantly on the lookout for abandoned places that he identifies thanks to a promising perspective, a particular light, or objects that enliven the space, he continues to exercise his free expression on the walls, freed from the constraints and ambitions of the object-work. He is also regularly invited to include his graphic universe in festivals, most recently in Reims for a project to rehabilitate an industrial wasteland, or in St Ouen in the former workshops and showrooms of Pierre Cardin before their next transformation into an industrial building.<\/span><\/div><\/div><\/div><\/div><\/blockquote>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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A selection of works presented by Hatchikian Gallery<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Hatchikian Gallery is pleased to present a selection of emblematic aerosol and acrylic on canvas works by Yann L\u2019outsider, representative of his evolution towards typographic abstraction and cosmic abstraction.<\/span><\/div><\/div><\/div><\/div>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\tSee the works of the Outsider<\/span>\n\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The Typogram series, a formal game of letters<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The series of five Typogram #1, #2, #3, #4, #5 24\u00d730 cm and the two Typogram #6 and #7 50\u00d765 cm, created in 2020, are inspired by a Chinese game, Tan Gram, a puzzle of shapes derived from a square that decompose and reassemble themselves infinitely. An abstract game that the artist has translated into the 26 letters of the alphabet to imagine a typographic abstraction with multiple possible interpretations, which should be contemplated without deciphering it, as a gift to be received as such.<\/span><\/div><\/div><\/div><\/div><\/blockquote>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A formal language apart from meaning<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The work Abstraction Typographique #3, 146\u00d797 cm from 2019, also forms part of this exploration that invites us to look at the work without trying to interpret it, to appreciate its plastic beauty without being guided or disturbed by its meaning. Accepting and supporting the absence of meaning, breaking away from explanation, letting oneself be carried by the movement of the work. Like an allegory of the artist with misunderstood language facing the demanding viewer, in search of grasping the final truth of the work.<\/span><\/div>
The work Haiku #6, 195\u00d7130 cm, came as a visual, elliptical, enigmatic and evanescent poem, like a subdued and nuanced version of the language of the tag.<\/span><\/div><\/div><\/div><\/div><\/blockquote>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"hatchikian-gallery-l-outsider-abstraction-typographique-#3-2019\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Typographic Abstraction #13<\/i>, 2019<\/a><\/p>

Aerosol and acrylic on canvas
146 x 87 cm
American oak case with natural veneer
4 300\u20ac<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"hatchikian-gallery-l-outsider-haiku-#6-2018\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Haiku #6<\/i>, 2018<\/a><\/p>

Aerosol and acrylic on canvas
195 x 130 cm
American cash drawer enclosure in chestnut wood
7 300\u20ac<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cosmic abstraction <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The work Spleen<\/a> 146\u00d797 cm, created in 2020, whose title is borrowed from Baudelaire\u2019s poem, is a contemplative abstraction of the kinetics of rain and the patterns of its streaks. A stylized graphic inspired by Japanese prints that depict the multiple nuances of rain.\u00a0<\/span><\/div>
The work L\u2019Horizon des \u00c9v\u00e9nements #2, 195x130cm, created in 2020, is inspired by the observation of cosmic phenomena and the astral dynamics that confront darkness and light. A fascinating work that draws us into a mystery that may be that each of us experiences in his or her own story.<\/span><\/div><\/div><\/div><\/div><\/blockquote>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Yann Le Berre aka L\u2019outsider has long practiced urban art and it is now in Brittany that he has set up his studio, in former agricultural buildings transformed into a space for creation and artistic experimentation, offering the possibility of hanging the works, especially the large formats, to appreciate the scenography.
\nFrom urban art to the workshop
\nIn his artistic research, Yann L\u2019outsider plays with the dualities that constitute his path. His orientation towards working in the studio, about ten years ago, inevitably transformed the conditions of creation, placing the artist in a different temporal context, turning him towards more standardized mediums, yet Yann L\u2019outsider continues to seek to recreate the state of stillness, urgency, imbalance, or even discomfort that may have stimulated the creative momentum in urban environments.<\/p>","protected":false},"author":4,"featured_media":11209,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_joinchat":[]},"categories":[108],"tags":[419,448,312,451,114,116,450,449,379,447],"yoast_head":"\nYann L\u2019Outsider, la dualit\u00e9 comme tension cr\u00e9atrice. - Hatchikian Gallery & Production<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hatchikiangallery.com\/en\/yann-loutsider-la-dualite-comme-tension-creatrice\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Yann L\u2019Outsider, la dualit\u00e9 comme tension cr\u00e9atrice. - Hatchikian Gallery & Production\" \/>\n<meta property=\"og:description\" content=\"Yann Le Berre aka L\u2019outsider a longtemps pratiqu\u00e9 l\u2019art urbain et c\u2019est aujourd\u2019hui en Bretagne qu\u2019il a install\u00e9 son atelier, dans d\u2019anciens b\u00e2timents agricoles transform\u00e9s en espace de cr\u00e9ation, d\u2019exp\u00e9rimentations artistiques, offrant la possibilit\u00e9 d\u2019accrocher les \u0153uvres, notamment les grands formats, pour en appr\u00e9cier la sc\u00e9nographie. De l\u2019art urbain \u00e0 l\u2019atelier Dans sa recherche artistique, Yann L\u2019outsider joue avec les dualit\u00e9s constitutives de son parcours. Son orientation vers le travail en atelier, il y a une dizaine d\u2019ann\u00e9es, a in\u00e9vitablement transform\u00e9 les conditions de cr\u00e9ation, en pla\u00e7ant l\u2019artiste dans une temporalit\u00e9 diff\u00e9rente, en le tournant vers des supports plus norm\u00e9s, et pourtant Yann L\u2019outsider ne cesse de chercher \u00e0 recr\u00e9er l\u2019\u00e9tat d\u2019intranquillit\u00e9, d\u2019urgence, de d\u00e9s\u00e9quilibre, voire d\u2019inconfort, qui a pu stimuler l\u2019\u00e9lan cr\u00e9atif en milieu urbain.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hatchikiangallery.com\/en\/yann-loutsider-la-dualite-comme-tension-creatrice\/\" \/>\n<meta property=\"og:site_name\" content=\"Hatchikian Gallery & Production\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-15T14:49:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-16T09:55:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/hatchikiangallery.com\/wp-content\/uploads\/2019\/01\/hatchikian-gallery-l-outsider-oeuvres-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ingrid France\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ingrid France\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/hatchikiangallery.com\/yann-loutsider-la-dualite-comme-tension-creatrice\/\",\"url\":\"https:\/\/hatchikiangallery.com\/yann-loutsider-la-dualite-comme-tension-creatrice\/\",\"name\":\"Yann L\u2019Outsider, la dualit\u00e9 comme tension cr\u00e9atrice. - 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