Francisco Manuel Diaz, aka PASTEL
Peintre et architecte (UBA), sa pratique artistique se situe dans un territoire où la matière est une intervention : un geste qui altère, infiltre et expose les conditions mêmes de ce qu’elle touche. Son travail ne part pas uniquement d’une image préalable, mais d’un corps ; d’une surface chargée de mémoire, de tension et de temps.
Il conçoit son œuvre comme une peinture élargie, où le pictural et le sculptural s’entrelacent, et où le temps ne menace pas la forme, mais l’active. La matière, dans sa fragilité, constitue pour lui un territoire critique et met en œuvre un révisionnisme historique qui interroge et remet en question des normes préétablies.
His art explores the unbridled spirit that resides within us, the duality between strength and vulnerability, as well as the constant struggle between control and chaos. Through his brushstrokes, Ricardo invites us to reflect on our own inner fires and the wild forces that shape our existence. His practice relies on a meticulous balance between powerful images and subtle details, between minimalism and boldness.
His paintings, executed using the traditional oil-on-canvas technique, are particularly renowned for their classic realism combined with contemporary themes. One of the key characteristics of his work is the frequent use of black and white, which, in his opinion, gives his works a «timeless style» and allows him to explore «feelings» more deeply. In a contemporary approach, Ricardo seeks to create «visual, cultural, and historical hybrids» by blending classic references with modern elements.
His work highlights striking contrasts and harmonious connections between different themes. By allowing them to coexist, Ricardo shows that very different subjects can tell a common story, thanks to the emotional depth and artistic expression that connects them.
WORKS
