Art Papers

Follow the news about art and our artists through our Art Papers. Cultural discoveries, unique events, exhibitions, market analyses: different perspectives to approach art in all its forms!

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The Pinault Collection at the Bourse de Commerce, Paris

After Venice, it is in Paris that the works of the Pinault collection can be discovered in an exceptional setting: La Bourse de Commerce. As was the case with Le Palazzo Grassi opened in 2006 and La Punta della Dogana opened in 2009, emblematic monuments of heritage are being renovated, combining historical splendor with the contemporary architectural purity of Tadao Ando to become the settings for a scenography that confronts cultural heritage and today’s avant-garde, for a contemplation of the works in an unprecedented setting.

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Louise Bourgeois, François Morellet, Giuseppe Penone, a look at 3 contemporary works installed in the Tuileries Garden

Perhaps you have wandered through the Tuileries Gardens without ever noticing them… the place houses numerous contemporary works to discover, acquired by the State or installed by foundations. You need to step away from the main avenues and look for them among the trees and flowerbeds. Here are three of them to discover or rediscover during your next stroll.

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Arty Tips: Amazon E-shop – A blank canvas for the artist Prune Nourry at Bon Marché Rive Gauche

The museums are closed, but the galleries remain open and Art has made its way to places where we can still admire the work of artists. The Bon Marché Rive Gauche has given Prune Nourry carte blanche for a monumental installation, Amazone Érogène.

Playing with the volumes of the atrium and the emblematic escalators under the glass roof of the Parisian department store, the artist presents a work composed of a breast, targeted by 888 arrows of wood and feathers on one side, and an arc on the other. An interrogation on femininity in its intimate flesh: the artist has sublimated her personal experience of illness as a means of artistic exploration, perhaps in an attempt to escape the objectification of the body and reintroduce a subjective narrative where protocols can seem to transform the patient into a secondary resident of their own illness?

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