After his achievements in the world of urban art, L’Outsider turned his work towards typographic abstraction. In the studio, he preserved graffiti as a dazzling and compulsive creative gesture, amplifying the possibilities of a letter aesthetic, which remains the matrix of the work.
Today, it is a rural Brittany town where he has settled for a few years that forms the backdrop to this suspenseful situation that confronts him with an unexplored temporal dimension. The Outsider sends us a photograph of his studio in the outbuildings of the farmhouse where he lives, which has become the shelter for his artistic harvest.
