Art Papers

Follow the news about art and our artists through our Art Papers. Cultural discoveries, unique events, exhibitions, market analyses: different perspectives to approach art in all its forms!

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REVISIT: The artists gathered for an unprecedented group show to mark the two-year partnership between Hatchikian Gallery and Quai 36.

For the past two years, Hatchikian Gallery has developed a partnership with Quai 36 to present artists working both in public space for mural projects and in workshops on canvases or various media. This duality fuels the momentum of practices that combine creative brilliance and aesthetic research, for the deployment of singular trajectories that have been able to establish themselves on the contemporary art scene. To celebrate the two-year success of this partnership, which has highlighted emerging talents from the field of urban art, Hatchikian Gallery and Quai 36 present a group show that brings together the diversity of the visual propositions of the artists exhibited during recent seasons within this intersectional perspective between the gaze of a gallerist and that of art producers for places in transition. Audrey Hatchikian and Julie Frydman propose a dynamic scenography that combines the heterogeneous universes of the artists who have punctuated two years of encounters and events: an unprecedented encounter will mark the confrontation between the whimsical graphic gimmicks of David Bruce, the inspiring dreamlike architectures of Chazme, the organic colorations of Nelio, the captivating abstractions of Yann L’Outsider, the vibrant geometries of Simon Poter, the humanist calligraphies of Zepha and the magnetic chromaticity of the elements of Zabala.

Variation(s), Yann L’Outsider, a decade of formal abstraction in black and white.

As he looks back on a decade of creation since his transition from the wall to the canvas to publish the monograph Variation(s), Yann L’Outsider had to experience a vertigo; a vertigo that the viewer also faces when he immerses his gaze in the dual abstraction of his works where the glimmers of light projected into the interstices of black matter lead to unfathomable infinity… Through the series in black and white that have marked these last ten years, Yann L’Outsider has tirelessly explored the possibilities of form in the visual language of abstraction: an aesthetics of letter, with a prismatic play of typographic elements, that continues in the studio his original urban practice; but also an aesthetics of form in motion. Variations in the plural, which the artist seeks to capture, not in suspended moments but precisely in their dynamics of transformation; and it is precisely a singular vibration that emanates from his works, creating a tension in which we, the spectators, are literally caught up.

Art Habité, an exhibition by the artist Vincent Abadie Hafez aka Zepha, presented by Hatchikian Gallery and Quai 36

An exhibition with multiple sequences to appreciate the work of Vincent Abadie Hafez. Hatchikian Gallery renews its collaboration with the Art Production House Quai 36 to present the work of Vincent Abadie Hafez aka Zepha in two different locations for two scenographies and two perspectives on the artist’s work. The exhibition titled Art Habité will take place at the Galerie Hatchikian in Paris and at the Galerie […]

Carte blanche to Yann L’Outsider, an exhibition in 3 Tempos presented by HatchikianGallery x Quai 36

Carte blanche to Yann L’Outsider is the inaugural exhibition of a long-term collaboration between Hatchikian Gallery and the Quai 36 Art Production House. Yann L’Outsider has been the link between these two partners, accompanying his artistic research: Hatchikian Gallery for the works in the studio and Quai 36 for the realization of monumental projects in public space. We had the opportunity to tell the beautiful story of these encounters in our previous Art Paper.

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Yann L’Outsider: duality as a creative tension.

Yann Le Berre aka L’outsider has long practiced urban art and it is now in Brittany that he has set up his studio, in former agricultural buildings transformed into a space for creation and artistic experimentation, offering the possibility of hanging the works, especially the large formats, to appreciate the scenography.
From urban art to the workshop
In his artistic research, Yann L’outsider plays with the dualities that constitute his path. His orientation towards working in the studio, about ten years ago, inevitably transformed the conditions of creation, placing the artist in a different temporal context, turning him towards more standardized mediums, yet Yann L’outsider continues to seek to recreate the state of stillness, urgency, imbalance, or even discomfort that may have stimulated the creative momentum in urban environments.

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A look at the artist in confinement #2: Yann L’Outsider

After his achievements in the world of urban art, L’Outsider turned his work towards typographic abstraction. In the studio, he preserved graffiti as a dazzling and compulsive creative gesture, amplifying the possibilities of a letter aesthetic, which remains the matrix of the work.
Today, it is a rural Brittany town where he has settled for a few years that forms the backdrop to this suspenseful situation that confronts him with an unexplored temporal dimension. The Outsider sends us a photograph of his studio in the outbuildings of the farmhouse where he lives, which has become the shelter for his artistic harvest.

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