Art Papers

Follow the news about art and our artists through our Art Papers. Cultural discoveries, unique events, exhibitions, market analyses: different perspectives to approach art in all its forms!

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Toxic, the irreverence of color

To see what Toxic looked like at the age of 18, the best way is to wander through the collections of the Whitney Museum in New York. Among Basquiat’s works, the canvas titled Hollywood Africans represents, in this unique visual language, a trio of artists formed by Basquiat himself, Rammellzee and Toxic, three «gangsters» stereotyped in the Hollywood myth, three Afro-American New Yorkers seeking to make their name in an even more inaccessible and ungrateful universe for talent from the margins, the suburbs and minorities. A series of words refers to the lackluster role reserved for blacks in the films of the golden age of cinema. Slashy, striped words that say a lot about the segregation that fractures society at the time.

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Basquiat, from the icon of hip-hop culture and post-graffiti to the major figure of the art market.

Post-graffiti expressionism in the New York underground of the 80s – In a period when conceptual and minimalist art constituted the dominant currents of contemporary American aesthetics, Basquiat’s universe emerged as a break from the norm, as neo-expressionist painting. Basquiat began his career very young, creating conceptual graffiti with his friend Al Diaz under the pseudonym SAMO. In the 80s New York, the post-graffiti movement was marked by a shift from the street and urban surfaces to the studio and canvas, opening the way for young artists from the counterculture to enter the art market.

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